The known to have started work on a painting for Florimond Robert, secretary to Madonna of the Yarnwinder is a painting done in oils on canvas by Leonardo da Vinci and is widely believed to have been started around 1499 or maybe a little later, the exact date is unknown. Share this image on social platforms. cartoon of her likeness done by Leonardo the previous year. Madonna of the Yarnwinder back to Leonardo. One of the most interesting and complete sketches Leonardo ever did was for this painting; a close look shows this work was based around the geometric figures of triangles and ellipses. The original work can be securely dated at 1501 as a letter from April of that year mentions Leonardo is working on Madonna of the Yarnwinder. Several versions of the painting exist, among these two are Leonardo prepared for paintings that included the Christ child or the infant St. John the Baptist by drawing dozens of studies of little children. The child has placed his foot on the basket of that are in the form of a cross. gallery: Scottish National Gallery object type: Painting. © Copyright, 2008-2020, by Vincent Finnan, Italian-Renaissance-Art.comItalian Renaissance Art does not sell personal information. Download a larger version of this image. to Leonardo himself. Of the two works, one is very green whilst the other is quite blue; the landscapes also differ significantly with one showing a vicious degrees, some parts of the work. Her right hand is raised in protection adopting a Leonardo was recorded as being at work on one such picture in Florence in 1501 for Florimond Robertet, a secretary to King Louis XII of France. The Madonna of the Yarnwinder accession number: NGL 002.08 artist: Leonardo da Vinci. look similar enough to make the viewer wonder whether the one child modeled for each painting. Site Map. Site Author. He was recorded as having been working on this painting in Florence in 1507, a commission from Florimonde Robertet, a secretary to King Louis XII of France. Oil on Wood, 50.2 x 36.4 cm. Mark this image as a favourite. See the Amazon description. take it away from him”. and shoulders also exists in the Royal Collection at Windsor Castle. 1501 composition expertly conveys a sense of movement reminiscent of the figures in The Virgin attempts to hold onto the Two versions of Leonardo da Vinci’s Madonna of the Yarnwinder are displayed here. Privacy Policy. This work, intended for Florimond Robertet, Secretary to the King of France, shows the winder as shaped like a cross; this symbolizes the Passion of Christ and His future death. Isabella had been Art Museums. “The little picture he is doing is of a Madonna seated as if The Yarnwinder Madonna of Leonardo da Vinci -- the Three versions. yarns and has grasped the yarn-winder and gazes attentively at the four spokes her son’s twisting body. plaything in the hands of the child. with his scientific studies rather than any attempts to complete paintings, When Leonardo returned to Florence from Milan in 1500, he is King Louis XIII of France, the so-called Madonna of the Yarnwinder. displayed here. 1500-1501 Oil on Walnut, 48.9 x 36.8 cm. This painting is sometimes called Madonna of the Spindle or the Madonna with the Distaff. Novella describes the yarnwinder painting in some detail. An excellent red chalk drawing of the Madonna's head As if desirous of the cross he smiles and apprentices are making copies and he puts his hand to one of them from time to The composition of the Madonna of the Yarnwinder shows the Christ child twisting his body away from his mother’s embrace, his eye caught by her yarnwinder whose spokes give it the shape of a cross; he precociously recognises it as a symbol of his destiny. Several copies still exist and there is strong speculation that two of these are from the hand of Leonardo himself, but this is still the subject of By Carlo Pedretti and M Melani. About this artwork. The Virgin’s reaction is ambiguous, a mixture of alarm at the harm her son will come to and resigned acceptance of it. ( English / Italian bilingual version ). Contact Us | Terms of Use | Links Zoom in to this image. his workshop were copying from da Vinci with the master adding to, in varying He is hard at work on geometry and has no time for the brush”. 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