While sE are perhaps best known for their studio mics, they’ve made entries into the live-sound market before, and these two new very affordable dynamic microphones are designed to survive the hard knocks of life on the road. One Synth Challenge V - The Filter Strikes Back! The dynamic element in the V3 has been custom-developed for a smooth, natural sound on any voice or instrument - and its cardioid capsule design helps efficiently isolate your voice from other on-stage sounds, ensuring plenty of gain before feedback. All rights reserved. © 2020 sE Electronics International, Inc.All Rights Reserved. Both mics are designed for low handling noise and to offer a reasonable resistance to popping, where the V7’s supercardioid pattern is designed to resist feedback at higher gain settings as well as reducing spill from instruments on either side. A resilient internal shockmount supports the capsule, which employs a copper voice coil, and the signal exits on gold-plated XLR pins. Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency. Mastering Essentials Part 3 - How loud should I master? sE Electronics V7 (left) and V3.The V3 has a cardioid response with an on-axis frequency response of 50Hz to 16kHz, which is pretty healthy for this type of microphone. Its zinc-alloy body is finished in a very dark grey metallic paint and feels comfortable and substantial in the hand. The sE V3 and V7 are both hand-held, moving-coil vocal mics powered by neodymium magnets. With vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class. Re: One Synth Challenge V - The Filter Strikes Back! Both mics deliver a solid, natural vocal sound with good resistance to popping and suitably low handling noise. While sE are perhaps best known for their studio mics, they’ve made entries into the live-sound market before, and these two new very affordable dynamic microphones are designed to survive the hard knocks of life on the road. Their resistance to feedback is at least the equal of other good-quality mics, but again the V7 has an advantage in this respect as its tight pickup pattern, combined with more subtle presence boost, allows for noticeably more level before feedback than for the V3. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Constructionally the mic has a rugged steel-spring basket finished in satin black, and the surrounding bevel ring has five flats machined into it so that it can’t roll off the desk while I’m writing about it. Q. First Look: Pro Tools | Carbon. Diameter: 52 mm (2.05 in.) The V3's road-ready design is all metal - no plastic parts here. This means you can feel free to move around on stage without fear of rumbles, pops, or anything other than your voice coming through. Is there a 'right way up' to mount a mic? Why Are Some A-B Stereo Arrays Angled Outwards? There’s an internal red foam windscreen just visible through the grille that can be swapped for the included black one if you prefer it. Voor 23:00 besteld, morgen in huis! The views expressed are those of the contributors and not necessarily those of the publishers. It’s a crowded marketplace — can they stand out? However, I think the V7, in particular, is worth a close look as its extended frequency response and good resistance to feedback make it a strong performer. While both mics are priced very fairly given their solid level of performance, the V7 is going to find itself up against the Shure SM58 on street pricing and, whatever the V7’s performance merits, the SM58 just seems to keep on selling in that price sector. Indeed, you’ll find alternatives from many companies, with Shure’s SM58 and Beta 58 perhaps being the most direct competitors. With similar styling but being marginally wider around the basket (54mm, as opposed to 52mm), the V7 offers design sophistications such as a lightweight aluminium voice coil that allows the frequency response to be extended to cover 40Hz to 19kHz. None, but this market is a heavily populated one. Re: Why does Liam Gallagher's vocals sound shit? That prevents your mic from rolling around when you put it down on top of your amp or the stage floor. The sE V3 and V7 are both hand-held, moving-coil vocal mics powered by neodymium magnets. The mic is shipped with a stand clip and a soft storage pouch. PreSonus StudioLive 32SC Series III Mixing Console. What is a "hybrid" audio interface anyway? This time the polar pattern is supercardioid, with the least sensitive region being 45 degrees off the rear axis. Efficiently reduces unwanted wind noise and plosive pops....and just in case you don't like our stylish "sE Red" color, we've included a spare black windscreen in the box for you. For many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty & The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more. The V3's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class. SE Electronics V3 zangmicrofoon koop je bij Bax-shop met de laagste prijs garantie en 60 dagen niet goed geld terug garantie. 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